Born Houston, Texas, 1941

EDUCATION
The Glassell School of Art, The Museum of Fine Arts, Houston, TX
University of Houston, Houston, TX
Sam Houston, University, Huntsville, TX

SELECTED MUSEUM EXHIBITIONS

2005 Watercolor USA 2005, Springfield Art Museum, Springfield, Missouri
2000 Fair and Balanced, The Governor’s Gallery, Museum of Fine Arts, Santa Fe, NM
1990 Known and Unknown, Kirkpatrick Museum, Oklahoma City, OK
1989 American Watercolors from the Permanent Collection, McNay Museum, San Antonio, TX

SELECTED SOLO EXHIBITIONS
2007 Light of a Life, Lumina Gallery, Taos New Mexico
2006 The Influence of Place: The New Mexico Years, 1994-2006, Karan Ruhlen Gallery, Santa Fe
2004 Annell Livingston, Yurinkan Art Center, Kiryu, Gunma, Japan
Nature Fragments, Karan Ruhlen Gallery, Santa Fe, NM
2001 Twenty-four Hours in Taos, Karan Ruhlen Gallery, Santa Fe, NM
1996 Contemporary Art: The American Indian Influence, Karan Ruhlen Gallery, Santa Fe, NM
1995 Ancient Glyphs, Karan Ruhlen Gallery, Santa Fe, NM
1994 Intersections, Lynn Goode Gallery, Houston, TX
The Book of Hours, Karan Ruhlen Gallery, Santa Fe, NM
1992 Looking Through the Overlooked, North Harris County College, Houston, TX
1991 Recent Still Life, Lynn Goode Gallery, Houston, TX
Recent Works, Sol Del Rio Gallery, San Antonio, TX
1990 Recent Works, Lynn Goode Gallery, Houston, TX
1989 Procreation, Sol Del Rio Gallery, San Antonio, TX

SELECTED GROUP EXHIBITIONS
2006 Body Language, Karan Ruhlen Gallery, Santa Fe, NM
Xth National Exhibit of American Watercolor, Taos National Society of Watercolorists,
Taos, NM
Visual Arts Alliance, 23rd Juried Open Exhibition, Houston, TX
Art on Paper 2006, Maryland Federation of Art (MFA), Annapolis, Maryland
Vital Voices; Women’s Visions, Women’s Studies Research Center at Brandeis
University. National Juried Exhibition in conjunction with the Boston National
Conference of the Women’s Caucus for Art, Waltham, Massachusetts.
57th Annual Exhibit, Texas Watercolor Society, Larado, TX
2005 Texas Visual Arts Alliance 2005, Irving Arts Center, Irving, TX, Juror: Gerald Brommer,
Merit Award.
2004 Taos Invites Taos, Taos, NM
2003 Taos Invites Taos, NM
2002 Red, Karan Ruhlen Gallery, Santa Fe, NM
Abstractions, Lumina Gallery, Taos, NM
Art with Heart, Joyce Robbins Gallery, Santa Fe, NM
Annell Livingston
A Show of Colors, Munson Gallery, Santa Fe, NM
Taos Invites Taos, Taos, NM
2000 Post Card Love Letters to the Land, Munson Gallery, Santa Fe, NM
1999 Simply Irresistible, Karan Ruhlen Gallery, Santa Fe, NM
101 Cups – 101 Artists, Karan Ruhlen Gallery, Santa Fe, NM
1998 International Exhibition of Encaustic Works, The Gallery at R&F, Kingston, NY
The Last Picture Show, Lynn Goode Gallery, Houston, TX
The Madonna – The Modern Matriarch, Karan Ruhlen Gallery, Santa Fe, NM
101 Cups – 101 Artists, Karan Ruhlen Gallery, Santa Fe, NM
Red, Karan Ruhlen Gallery, Santa Fe, NM
1997 Group Invitational, Van De Griff Gallery, Santa Fe, NM
Object- Surface, Karan Ruhlen Gallery, Santa Fe, NM

AWARDS AND GRANTS
NFRIG (New Forms Regional Initiative Grant) funded through the National Endowment for the Arts, the Rockefeller Foundation and the Warhol Foundation, administered by Diverse Works and Mexic-Arti. A grant from Foley’s for a collaborative project. Over fifty awards including 1st Award in Taos Invites Taos, Taos, New Mexico; 1st Award, West Texas WS Signature I, Museum of Texas Tech, Lubbock, TX; 1st Award, 50th Competition, WSA, Montgomery Museum of Fine Arts, Montgomery, AL; 1st Award, 16th Exhibition, NWO, Oklahoma City, OK; 1st Award, Texas Through the Eyes of Texans, The Sister City Organization of Houston/Galveston – Stavanger, Norway, Houston, TX; One Person Exhibition Award, Kirkpatrick Museum, Oklahoma City, OK;1st Award; Texas Watercolor Society, McNay Museum, San Antonio, TX,1987; and 1st

Pure form can be translated into a map, a book, a poem or can be a wilderness.

Taos-based artist, Annell Livingston creates paintings with a deeply meditative, spiritual quality. Her paintings, like life itself, are basically the same: square paintings (or long rectangular paintings) of small, ordered grids of squares, triangles, and unexpected shapes. The patterns vary little — whether executed in encaustic on board or canvas, acrylic on oriental paper, or gouache on paper. All the while, they quietly reflect the rhythm of the changing light in the artist’s Taos, New Mexico studio.

The works are a visual response to the artist’s reflections on day and night, the sameness, the change and the inevitability of their progressions. They put in mind the works of Agnes Martin, but they obviously are done free-hand, unlike Martin’s penciled-straight edge-perfect stripes, and with the small imperceptible variations from square to square lays a huge difference. Each square, with each visible stroke is a kind of prayer. In her statement the artist quotes the famous Rapist (Trappist) monk Thomas Merton: “If you let the hours of the day saturate you, and you give them time, something would happen…”